Alek Shrader

— Tenor

"Shrader, with his matinee-idol good looks, had the most challenging music to sing and he negotiated the long, florid vocal lines with disarming ease, agility and a sweet, open sound. He has rapidly become one of the best of today's Rossini tenors. He was, in addition, very funny in the count's disguises as a tipsy soldier and a smarmy music master. Given how much demanding music Shrader had to sing all evening, one could only marvel at how well he nailed the count's long, difficult showpiece, "Cessa di piu resistere," often omitted because it delays the happily-ever-after ending."
John von Rhein, Chicago Tribune, February 2014, Lyric Opera of Chicago

"Alek Shrader, whose charming and rather imprudent Ferrando nicely blended a decent measure of boyish punch with finely-spun lyricism. "
Moore Parker, The Opera Critic, August 2011 Salzburg Festival

“Playing against type, Shrader was completely believable as the bespectacled nebbish Albert, with his Clark-Kent look, and awkward physical movements. Shrader possesses a youthful vibrant tenor and brought superb vocalism to his big moments, as with Albert’s pre-spree drunken soliloquy. In a difficult balancing act, Shrader managed to make Albert amusing, touching and loveable at the same time, while dexterously avoiding caricature."
Lawrence A. Johnson, Classical Review August 2010 Santa Fe Opera


The brilliant lyric tenor Alek Shrader continues to impress audiences with the “luxury of his phrasing, the clarity of his diction and the sensitivity and expressiveness of his characterizations”. Mr. Shrader makes several debuts in the 2016-2017 season, including at Wigmore Hall in a recital with pianist Roger Vignoles, with Opera de Oviedo in Spain performing Ferrando in Così fan tutte, and with the Minnesota Opera as Endimione in a production of Vicente Martín y Soler’s Diana’s Garden. He then returns to the Arizona Opera for performances of Don Ramiro in La . . .

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