Leah Crocetto

— Soprano

"In the role of Liu, Leah Crocetto dominated with her vocal powers . . . her voice truly shined. In her first aria “Signore Ascolta,” where Liu begs Calaf not to take on Turandot’s three riddles, Crocetto sang with a beautiful mezza voce caressing the lines. There was a tenderness to her singing but during the final “Pieta,” Crocetto crescendoed to a mezzo forte and this was the moment that Liu’s desperate cry was heard. In the second act when Liu is being tortured, Crocetto used all of her vocal power as she refused to say Calaf’s name. Here her voice gave a weight that showed Liu’s suffering and it rang with so much despair and fear."
Francisco Salazar, Latin Post

"Leah Crocetto, who sang Semiramide, is one of those discoveries that Thierry Fouquet, director of Bordeaux Opera, has made in recent years. She was brilliant and well-suited to the part: a lyric-spinto soprano, powerful, easy and valiant at the top, with good agilities and an attractive timbre. She is headed for an important career. Few sopranos can now be compared with her in the character of Semiramide."
José M. Irurzun, Seen and Heard International

“The gifted young American soprano Leah Crocetto, making her company debut in this formidable bel canto role, took the turbulence in stride, throwing back her head as if defying the elements to ruin her extended scena. And she scored a triumph… This is a voice of size, beauty and agility, and her singing, including the heroine's touching prayer, accompanied by female chorus, honored the ornate splendor of Rossini's vocal writing.”
John von Rhein, Chicago Tribune

“Some New York opera lovers may remember Ms. Crocetto as one of the standout winners at the 2010 Metropolitan Opera Council Auditions concert at the Met. The promise of her performance that day was fulfilled for me with this moving Anna…Ms. Crocetto has an agile coloratura technique and a feeling for the Italianate style. And she won your heart during Anna’s reflective scenes and arias, sung with warmth, full penetrating sound and tenderness, especially the final aria, when Anna remembers her beloved mother.”
Anthony Tommasini, New York Times

"Soprano Leah Crocetto proved the equal of her first-cast counterpart in the title role. She showed the dramatic potency that allowed her to soar over the large ensemble scenes, and her pianissimo singing was smooth and beautifully tuned. Her handling of the character was more dramatic as well, an Aida made of more volatile stuff."
Charles T. Downey, Washington Classical Review


Described by the New York Times as possessing an “agile coloratura technique and a feeling for the Italianate style… with warmth, full penetrating sound and tenderness,” American soprano Leah Crocetto continues to astonish audiences with her moving portrayals of opera’s greatest heroines. Ms. Crocetto begins the current season with title role of Norma in concert with North Carolina Opera, followed by her solo recital debut at Carnegie Hall with pianist Mark Markham. With the Seattle Opera, she sings Leonora in Il trovatore, and makes her Australian debut with the Melbourne Symphony as . . .

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