Sarah Mesko

— Mezzo-Soprano

"The powerhouse mezzo, Sarah Mesko, inhabited this role. Her voice has a rich velvet sheen, and yet still it has the flexibility to roll out the coloratura lines Handel wrote."
Marilyn Farwell, The Register Guard - Dejanira in "Hercules" at Oregon Back Festival

“Mesko, padded to reduce the appearance of womanly curves, was an appealing and solid Hansel.”
Anne Midgette, Washington Post - Hansel in "Hänsel und Gretel" at Washington National Opera

“[Casey Candebat’s] impassioned Werther to Sarah Mesko’s gorgeously sung Charlotte was one of the truly memorable scenes of the evening.”
Janos Gereben, San Francisco Classical Voice - Charlotte in "Werther" at Merola Grand Finale

“Mezzo-soprano Sarah Mesko had the most consistently beautiful sound as Suzuki, with a particularly robust chest voice…”
Charles Downey, Washington Post - Suzuki in "Madama Butterfly" at Washington National Opera


Praised by The Washington Post for her “consistently beautiful sound,” American mezzo-soprano Sarah Mesko is rapidly gaining attention for her “rich mezzo soprano” voice and musicality

In the 2018-2019 season, Ms. Mesko returns to the Metropolitan Opera following her successful performance of Arsace in Semiramide to sing the Mercédès in Carmen conducted by Omer Meir Wellber. She will also make her Canadian debut as Isolier in Le comte Ory with Edmonton Opera and Opera Theatre of Saint Louis debut as Ottavia in The Coronation of Poppea. Last season, Ms. Mesko . . .

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