Cooper Nolan

— Tenor

"...Cooper Nolan, also both brought a clear, ringing voice to ensemble moments, such as the plaintive “Quid sum miser” and then made his solo of the “Ingemisco” fill the hall with his great tenor voice."
Matt Costello, Operawire.com, April 10, 2019 - Tenor Soloist in Verdi 'Requiem with The Orchestra Now

"In Aachen, he sings this part with a dramatic, shimmering lyrical, high-placed voice."
Der Neue Merker, May 14, 2017 - Bacchus in 'Ariadne auf Naxos' at Theater Aachen

"Outstanding [is] the tenor Cooper Nolan, who mastered the grandios heights of the double role as The Tenor in the prelude and later as Bacchus."
BRF Nachrichten, May 16, 2017 - Bacchus in 'Ariadne auf Naxos' at Theater Aachen

"With Cooper Nolan, we got to know a new tenor title holder -- a strong, powerful man of the old school of singing."
Frankfurter Neue Presse, November 1, 2016 - 'Stiffelio' at Oper Frankfurt


Tenor Cooper Nolan, praised for his “bright, shining, tenor” (Musical America) and his “powerhouse voice” (Opera News), is increasingly making a name for himself as an important interpreter of some of opera's most demanding tenor roles. In the 2018-2019 season, Cooper will appear as Canio in Pagliacci and will make a concert appearance with the Lexington Philharmonic in Verdi’s Requiem under the baton of Scott Terrell. Mr. Nolan made his Oper Frankfurt debut as the title role in Verdi’s Stiffelio and also made his role debut as Cavaradossi in Tosca with . . .

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