“Amanda Majeski brought a bright, focused soprano to Fiordiligi; her introspective ‘Per pietà, ben mio, perdona’ was a masterpiece of subtle coloration.”
Heidi Waleson, The Wall Street Journal, March 19, 2018 - Fiordiligi in 'Così fan tutte' at the Metropolitan Opera
Internationally renowned American lyric soprano Amanda Majeski is rapidly garnering critical acclaim for a voice of “silvery beauty” (Musical America), “sings with remarkable commitment and radiance of tone...She sounds exquisite.” (The Guardian), and “Majeski’s well-rounded soprano...is so warm and glorious, the singing so outstanding, that she leaves no emotions unstirred.” (Financial Times) Her 2019-20 season includes four debuts with the Nürnberger Symphoniker, New York Philharmonic, Teatro dell’Opera di Roma, Teatro Real Madrid and performances with Lyric Opera of Chicago.
Majeski’s season commences with her debut with the Nürnberger Symphoniker bringing her Straussian expertise to...
“Amanda Majeski made the best Eva I have heard in years, true of pitch and pure of tone, comfortable in all reaches of the part and emotionally persuasive from beginning to end. The radiant B flat with which she crowned the quintet was perfection.”
Russ McDonald, Opera Magazine, June 2016 - Eva in 'Die Meistersinger von Nürnberg' at Glyndebourne Festival
“Vitellia was Amanda Majeski, a soprano with confident high notes supported by a bronzed, solid middle voice. The character is unsympathetic, and Majeski did not try to make Vitellia more reasonable than Mozart and Metastasio did. She portrayed a ruthless, cruel, cunning woman, who only at the end is overwhelmed by shame and remorse, and even then, her first thought is "What will people think of me?" Her "Non più di fiori" stopped the show.”
Laura Servidei, BachTrack, November 20, 2017 - Vitellia in 'La clemenza di Tito' at Paris Opera