Hugh Russell


William G. Guerri
Press Resources
Russell embodied the role immediately, conveying deep wells of despair with his broad-barreled vocal prowess. The singer had a particular knack for drama, engaging his entire body in the varied expressions by pulling the audience into the action, engaging empathy through the surrogate experience.
The Record

Canadian baritone Hugh Russell continues to receive high praise for his charisma, dramatic energy and vocal beauty. He is widely acclaimed for his performances in the operas of Mozart and Rossini, and is regularly invited to perform with symphony orchestras throughout North America. At the center of his orchestral repertoire is Orff’s popular Carmina Burana, which Mr. Russell has performed with The Philadelphia Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Houston Symphony, Pittsburgh Symphony, Seattle Symphony, Toronto Symphony, and Vancouver Symphony, among others. The New Orleans Times-Picayune said, “Baritone Hugh Russell also grasped the theatrical nature of Orff’s work, nearly stealing the show with a voice that ranged from organ-deep rumbles to flute-like falsetto – and an acting style that drew roars of laughter as he captured the bullishness of an intoxicated medieval abbot.”

In the current season, Hugh Russell performs Carmina Burana with the Pacific Symphony, sings Papageno in The Magic Flute with North Carolina Opera, and returns to Lyric Opera of Chicago for Dead Man Walking. Last season, Mr. Russell was Pangloss in Candide in Salt Lake City and Seoul, South Korea, Abimelech in Samson et Dalila with North Carolina Opera, and reprised the role of Noah Joad in Grapes of Wrath with Michigan Opera Theater. He performed Carmina Burana with the Kansas City Symphony, the Milwaukee Symphony, the New Mexico Philharmonic, and in Mexico City under the baton of Carlos Miguel Prieto. Further recent performances of Carmina Burana include with the Chicago Philharmonic, the Las Vegas Philharmonic, the Louisiana Philharmonic, the Orquesta Nacional de Costa Rica, and the Orquesta Sinfonica del Principado de Asturias in Oviedo, Spain. Additionally, he performed Rachmaninoff’s The Bells with the Orchestre Metropolitain de Montreal and Yannick Nezet-Seguin, joined Palm Beach Opera in the role of Major General Stanley in Pirates of Penzance, and performed the role of Noah Joad in Grapes of Wrath with Opera Theatre of Saint Louis.

For this conception to work, the production needs to have singers with the ability to do comedy and to do it simply and naturally. Chief among them is Hugh Russell as Papageno, the comic sidekick to our hero, Tamino. Delivering his spoken lines with a deft comic touch, Russell also sings the part beautifully, with a solid core to his voice and an expert sense of rhythm. The many exchanges with Tamino were wonderfully funny, as is the mock death scene toward the end. Together with Andrea Nunez, a pert Papagena, Russell delivered a show-stopping performance of the famous Papageno-Papagena duet in the second act, as clever and playful as one could ever hope for. Russell never missed a comic trick, a fine performance all around.
Calgary Herald
Hugh Russell handled the more prominent baritone solos [of Faure's "Requiem"] with admirable restraint, scaling back the operatic heft he had exhibited in the concert's opening work, Mahler's anguished song cycle "Songs of a Wayfarer.”
Indianapolis Star